01 dimanche Fév 2015
Posted in Chinese Porcelains
A blue and white ‘lotus’ bowl, Yongzheng six-character mark and possibly of the period. Estimate £800 – 1,200 (€1,100 – 1,600). Photo Bonhams.
The bowl gently curving up from the short foot rim to a straight mouth rim, the exterior painted in vivid cobalt blue with a dense ‘Indian’ lotus flower meander above a stylised lotus lappet band encircling the foot. 12.1cm (4 3/4in) diam.
Bonhams. ASIAN ART, 25 Feb 2015 10:30 GMT – LONDON, KNIGHTSBRIDGE
18 jeudi Déc 2014
Étiquettes
'Lotus' bowl, 12th century, 13th century, 14th Century, 16-17th century, 16th Century, 1750-1860, 18th century, 2nd century, 8th century, 8th century AD, Acala, Agate, Amida Nyorai, Anyang Culture, archaic bronze vessel, Bhairava, Bijapur, Bronze, Bronze ewer, Buddha, Cakrasamvara, Carved Celadon-Glazed Vase, Carved Emerald Ring, Central Asia, Central Java, China-Tibet, circa 1750, circa 1820, circa 1825, Colombian emerald, Copper repoussé, Dai Mingyue, Deccan, desk screen, Dondrup Sangpo, Drepung Monastery, Duan inkstone, early Qing dynasty, Early Western Zhou Dynasty, Eleven Faced Avalokitesvara, famille-rose, Fangding, Game Box, Gandhara, Garhwal, Gianni Berengo Gardin, Giao Chi Period, gilt-bronze, Glazed stoneware, Gold and ruby ring, Gold animal mask, Gong, Grey schist, gu, Guanyin, gui, Guler, Guru Gobind Singh, Gyalpo Pehar, Hai Tao, Hine Taizan, Hiroyuki Asano, hokai box, hongmu, huanghuali, Ik-Joong Kang, Ikeno Taiga, imperial rectangular white jade seal, Incense burner, Indonesia, inset leg bridle joint table, Jina, Jina Parsvanatha, Kamakura period, Kaneshige Kosuke, Kangra, Kasuga Deer Mandala, Katsudô Eiryrû, Kei School, khanjar, Kikugawa Eizan, kirin, Kishangarh, Krishna, Lanna, Late Ming, Lingbi Scholar Rock, Longquan celadon, Maeda Hideo, Maruyama Okyo, Meiji era, meiping, Ming Dynasty, Miyagawa Choshun, Miyanaga Tozan III, Mola Bagas, Momoyama Period, Mongolia, Mughal India, Muromachi period, Nabeshima kiln, Nanbokuchō period, nanmu box, Nepal, Nikko Bosatsu, Northern black glazed russet splashed, Northern Qi dynasty, Northern Song-Jin Dynasty, okimono, Otagaki Rengetsu, Otto Akob, Padmapani, Pakistan, Pala period, pear-shaped vase, Perfume container, Punjab Hills, Qianlong Mark And Period, Qianlong six-character seal mark in underglaze blue and of the period, Qianlong-Jiaqing period, Rajasthan, Rinpa School, Rukhnuddin, Sakya Lama, Salabanjika, Sandstone, Shang Dynasty, Silver gilt vase, snuff bottle, Song dynasty, Southern Song dynasty, Southern Song-Yuan dynasty, Suzuki Harunobu, Suzuki Shōnen, Tai Xiangzhou, Tang dynasty, Tangka, Tara, Thailand, Tibet, Tokuda Yasokichi III, Twin Fish Bowl, Vairocana, Vasudhara, Vietnam, Vijayanagar Period, Vishnu, Warring States period, Western Jin Dynasty, Wine-Drinking Game Set, Xie Zhiguang, Yagi Kazuo, Yama Dharmaraja, Yaozhou celadon, Yashima Gakutei, yoke back armchair, Yuan dynasty, yueyao, Zain al-Din, Zhang Ling
An Exquisite and Very Rare Carved Celadon-Glazed Vase. Qianlong six-character seal mark in underglaze blue and of the period (1736-1795). Height: 8 1/4 inches (22.2 cm). Photo Christie’s Image Ltd 2014
NEW YORK, NY.– The Asia Week New York Association announces that 42 international galleries will participate in Asia Week New York 2015, the nine-day celebration of Asian art and culture that spans the metropolitan region from March 13 through 21, 2015.
Says Carol Conover, Chairman of Asia Week New York: “We look forward to another successful edition of Asia Week New York especially during The Metropolitan Museum of Art’s banner year when it is celebrating the 100th anniversary of its renowned Asian Art Department.”
Joining Asia Week New York for the first time is Shalini Ganendra Fine Art from Malaysia and Navin Kumar Gallery from New York. After a brief hiatus, Dr. Robert Bigler from Zurich and Wei Asian Arts from Brussels return to the fold.
The dealers returning to Asia Week New York with museum-quality works of art from across the Asian continent include:
Indian, Himalayan, and Southeast Asian Art
Art Passages (United States), « Paintings from the Courts of India & Persia« . info@artpassages.com – www.artpassages.com
Dignitaries Visit a Yogini. Kishangarh, India, circa 1750. Asia Week New York | Art Passages
Krishna Gazes at Radha from a Balcony. Kangra, India, circa 1820. 8 1/4 x 5 7/8 inches (20.9 x 14.9 cm. Asia Week New York | Art Passages
Lovelorn Lady Consoled by her Confidant. Garhwal, India, circa 1825. 7 7/8 x 5 5/8 inches (20 x 14.4 cm). Asia Week New York | Art Passages
Buddhist Art (Germany), « From Angkor Wat to the Himalaya« . buddhist.art@hotmail.com – www.buddhist-art.info
Seated Figure of Vishnu. Nepal, 16-17th century. Copper repoussé. 15.3 inches (39 cm). Asia Week New York | Buddhist Art
Head of Buddha. Thailand, Lanna, 14th century. Bronze. 12.6 inches (32 cm). Asia Week New York | Buddhist Art
Portrait of Dondrup Sangpo, Abbott of Drepung Monastery. Tibet, 16th century. Bronze, silver inlay. 8.3 inches (21 cm). Asia Week New York | Buddhist Art
Galerie Hioco (France), « Arts of India, Nepal and Vietnam« . info@galeriehioco.com – www.galeriehioco.com
Bhairava. India, Rajasthan or Uttar Pradesh, 12th century. Sandstone. Height: 32 inches (81 cm). Asia Week New York | Christophe Hioco
Stele of Vishnu. India, Pala period. Grey schist. Height: 37 inches (94 cm). Asia Week New York | Christophe Hioco
Bronze ewer, ornamented at its base by the head of a makara. Vietnam, Giao Chi Period, 2nd-3rd century. 12.7 x 11 inches (32.5 x 28 cm). Asia Week New York | Christophe Hioco
Nayef Homsi (United States), « Recent Acquisitions ». nayef@nayefhomsi.com – www.nayefhomsi.com
Standing Buddha. India, Gandhara, 2nd century. Grey schist. Height: 30 inches (76.2 cm). Asia Week New York | Nayef Homsi
Jina Parsvanatha. India, Tamil Nadu, Vijayanagar Period, 14th century. Bronze. 14.5 inches (36.8 cm). Asia Week New York | Nayef Homsi
Envoys Pay Homage to King Dasaratha. India, Pahari Region, Garhwal, circa 1800. Opaque watercolor heightened with gold and silver on paper. 16.4 x 21.5 inches (41.5 x 54.7 cm). Asia Week New York | Nayef Homsi
Prahlad Bubbar Ltd. (England), « Indian Court Paintings: Recent Acquisitions, with a Preview of Gianni Berengo Gardin in India« . info@prahladbubbar.com – www.prahladbubbar.com
Guru Gobind Singh (detail). Guler, Punjab Hills, India, circa 1780-90. Opaque watercolor, gold and silver on paper. 8 x 5.6 inches (20.4 x 14.3 cm). Asia Week New York | Prahlad Bubbar
A Spirited Arabesque (detail). Bijapur, Deccan, India, circa 1650. Brush drawing on paper. 8 x 3.7 inches (20.4 x 9.5 cm). Asia Week New York | Prahlad Bubbar
Gianni Berengo Gardin. A Temple Gymnast. Central India, 1977. Gelatin silver archive print. 13 x 9.2 inches (33 x 23.3 cm). Asia Week New York | Prahlad Bubbar
Walter Arader Himalayan Art (United States), « Fine Himalayan Art« . walter.arader@gmail.com – www.himalayanart.com
Tara. China-Tibet, 16th century. Gilt Bronze. 10.5 inches (26.7 cm). Asia Week New York | Walter Arader Himalayan Art
Eleven Faced Avalokitesvara. Tibet, 15th century. Bronze. 12 inches (30.5 cm). Asia Week New York | Walter Arader Himalayan Art
Yama Dharmaraja. China, 18th century. Gilt Bronze. 6.5 inches (16.5 cm). Asia Week New York | Walter Arader Himalayan Art
Carlo Cristi (Italy), « Latest Acquisitions and Central Asian Textiles« . carlocristi@tin.it – www.asianart.com/carlocristi
Silver gilt vase (detail). Tibet, 8th century AD. Silver, gilding. Height: 8.5 inches (21.5 cm). Asia Week New York | Carlo Cristi
Tangka of Vairocana. Tibet, 13th century. Distemper on cotton. 24.25 x 32.25 inches (62.5 x 82 cm). Asia Week New York | Carlo Cristi
Confronted birds in kufic roundels. Central Asia, 10th-12th century. Polychrome silk. Length: 49.25 inches (125 cm). Asia Week New York | Carlo Cristi
Francesca Galloway (England), « Indian Paintings & Courtly Objects: Recent Acquisitions« . christine@francescagalloway.com – www.francescagalloway.com
By the artist Mola Bagas (or Muhammad Bakhsh). Ladies with Fireworks on a Terrace. Rajasthan, Bikaner, late 18th century. Opaque pigments and gold on paper. 9.5 x 6.4 inches (24.1 x 16.2 cm). Asia Week New York | Francesca Galloway
Khanjar (Dagger). Mughal India, 18th century. White nephrite hilt with inlaid with gold, lasque diamonds and other precious gems. Overall length: 12.6 inches (32 cm). Asia Week New York | Francesca Galloway
A Maharaja with his Two Children. India, Rajasthan, circa 1870-80. Opaque pigments heightened with gold and silver. 22.1 x 16.2 inches (56 x 41.2 cm). Asia Week New York | Francesca Galloway
Oliver Forge and Brendan Lynch Ltd (England), « Indian Painting 1590–1840« . brendan@forgelynch.com – www.forgelynch.com
Zain al-Din. The “Various Coloured » Parrot, folio from the Impey Album. Calcutta, India, 1777 A.D. Watercolor and gum arabic on paper. 18.5 x 23.25 inches (47 x 59 cm). Asia Week New York | Oliver Forge & Brendan Lynch Ltd.
A prince seated on a palace terrace. Mughal India, circa 1750-1800. Reverse-painted on mirrored glass. 31 x 19.1 inches (79 x 48.5 cm). Asia Week New York | Oliver Forge & Brendan Lynch Ltd.
Rukhnuddin. A lady playing a vina in a lush garden with peacocks. Bikaner, India, cirac 1680. Opaque watercolor with gold on paper. 6 x 4.6 inches (15.2 x 11.8 cm). Asia Week New York | Oliver Forge & Brendan Lynch Ltd.
Kapoor Galleries (United States), « Wrathful Compassion« . info@kapoorgalleries.com – www.kapoorgalleries.com
Acala. Tibet, 18th century. Parcel Gilt Copper with semi-precious stone inlay. Height: 8.75 inches (22.2 cm). Asia Week New York | Kapoor Galleries
Vasudhara. Nepal, 13th/14th century. Gilt Copper. Height: 7.5 inches (19 cm). Asia Week New York | Kapoor Galleries
Cakrasamvara. Tibet. Mineral pigments and gold on cloth. 25.2 x 33.9 inches (64 x 86 cm). Asia Week New York | Kapoor Galleries
Susan Ollemans (England), « Modern Design in the Ancient World« . ollemans178@btinternet.com – www.ollemans.com
Carved Emerald Ring. India, 17th century. Colombian Emerald. 1.75 x 1 inches (4.5 x 2.5 cm). Asia Week New York | Susan Ollemans
Gold and ruby ring. Central Java, Indonesia, 8th-10th century. Gold and ruby. Length: 1.56 inches (4 cm); Width: .81 inch (2 cm). Asia Week New York | Susan Ollemans
Perfume container. China, Song Dynasty, 960-1279 AD. Gold. Length: 3.75 inches (9.5 cm). Asia Week New York | Susan Ollemans
Gyalpo Pehar. Mongolia, 17th/18th century. Silver with remains of cold-gilding and polychrome. Height: 6.25 inches (15.9 cm). Asia Week New York | Carlton Rochell Asian Art
Vishnu and His Consorts. Eastern India, West Bengal/Bangladesh Pala period, 11th century. Copper alloy. Height: 16.25 inches (41.2 cm). Asia Week New York | Carlton Rochell Asian Art
Torso of a Jina. North India, 11th/12th century. Burnished sandstone. Height: 33 inches (83.8 cm). Asia Week New York | Carlton Rochell Asian Art
Dalton Somaré (Italy), « New Acquisitions« . info@daltonsomare.com – www.daltonsomare.com
Head of the Buddha. Greater Gandhara, 3rd century. Schist. 14.1 inches (35.8 cm). Asia Week New York | Dalton Somaré
Padmapani. Swat Valley, Pakistan, circa 7th century. Bronze. Height: 10.1 inches (26 cm). Asia Week New York | Dalton Somaré
Head of the Buddha. Greater Gandhara, circa 7th century. White marble. 15.7 inches (40 cm). Asia Week New York | Dalton Somaré
Jonathan Tucker Antonia Tozer (England), « An Important Group of Sculptures from India and Southeast Asia« . jonathantucker1@aol.com – www.asianartresource.com
Standing Schist Bodhisattva. Northwest Pakistan, Gandhara, 2nd-3rd century A.D. Grey schist. Height: 28 inches (71 cm). Asia Week New York | Jonathan Tucker Antonia Tozer
Sandstone Salabanjika. Central India, probably Madhya Pradesh, 10th-11th century. Red sandstone. 43 inches (109 cm). Asia Week New York | Jonathan Tucker Antonia Tozer
Stucco Seated Buddha. Northwest Pakistan, Gandhara, 4th-5th century. Stucco. Height: 20.5 inches (52 cm). Asia Week New York | Jonathan Tucker Antonia Tozer
Nancy Wiener Gallery (United States), « Recent Acquisitions« . nancywienergallery@mac.com – www.nancywiener.com
Attributed to Manaku or Fattu. A Folio from the “Large Bhagavata Purana.” India, Guler, circa 1760-65. Gouache and gold on paper. Painting 9.75 x 13 inches (23.5 x 33.2 cm); Folio 11.6 x 16 inches (29.5 x 40.2 cm). Asia Week New York | Nancy Wiener Gallery
Head of Avalokiteshvara. India, 11th century, Pala period. Black Stone. 9.5 inches (24 cm). Asia Week New York | Nancy Wiener Gallery
Portrait of a Sakya Lama (Detail). Tibet, 18th century. Mineral pigment and gold on cloth. 77 x 63 inches (195 x 160 cm). Asia Week New York | Nancy Wiener Gallery
Ancient and/or Contemporary Chinese Art
U.S. galleries include:
Andrew Kahane, Ltd., « Chinese Ceramics and Works of Art« . kahaneasia@aol.com – www.artasianappraisers.com
Meiping. China, 13th century. Glazed stoneware. Height: 12.5 inches (30 cm). Asia Week New York | Andrew Kahane, Ltd.
Longquan celadon lotus bowl. China, Southern Song Dynasty, late 12th-13th century. Diameter: 6.5 inches (16.5 cm). Asia Week New York | Andrew Kahane, Ltd.
Northern black glazed russet splashed pear shaped vase. China, Northern Song-Jin Dynasty, 12th-early 13th century. Height: 13 inches (32.8 cm). Asia Week New York | Andrew Kahane, Ltd.
Asian Art Studio, « Noble Treasures« . asianartstudio@msn.com – www.asianartstudio.com
Rare imperial rectangular white jade seal carved with crouching dragon. China, Yuan Dynasty. Jade. Length: 2.25 inches (5.5 cm); Width: 1.8 inches (4.7 cm). Asia Week New York | Asian Art Studio
A hardstone and hongmu desk screen painted with figures in a mountainous landscape. China, late 19th century. 15 x 10.5 inches (38 cm). Asia Week New York | Asian Art Studio
A well hollowed agate snuff bottle, carved with flowers and trees by rockwork. China, 1750-1860. Height: 2.25 inches (5.8 cm).
Ralph M. Chait Galleries, Inc., « Spring Exhibition of Chinese Porcelain and Works of Art« . info@rmchaitgal.net – www.rmchait.com
Bronze Figure of a Seated Buddha. China, Ming dynasty, circa 15th/16th century. Bronze. Height: 19.25 inches (48.9 cm). Asia Week New York | Ralph M. Chait Galleries, Inc.
Underglaze red and blue baluster vase, decorated with the Eight Horses of Mu Wang. China, early Kangxi period, circa late 17th century. Porcelain. Height: 16.25 inches (48.3 cm). Asia Week New York | Ralph M. Chait Galleries, Inc.
Large red glazed vase, of rounded form and sang de boeuf color glaze with fine crackle. China, 18th/early 19th century. Porcelain. Height: 14 inches (35.6 cm). Asia Week New York | Ralph M. Chait Galleries, Inc.
China 2000 Fine Art, « To See a World in a Grain of Sand« . c2000fa@aol.com – www.china2000fineart.com
Lingbi Scholar Rock with Carved Marble Base. China, Ming dynasty. Lingbi stone and marble. Rock: 22.75 (Height) x 14.75 (Width) x 4.75 (Depth) inches (57.8 x 37.4 x 12 cm). Asia Week New York | China 2000 Fine Art
Zhang Ling. Exchanging the White Goose for the Classic Text. China, late 15th/early 16th century, Ming dynasty. Ink and color on paper. 27 x 1.5 inches (68 x 26.8 cm). Asia Week New York | China 2000 Fine Art
Xie Zhiguang (1899-1976). Appreciating the Plum Blossom. China, 20th century. Ink and color on paper, hanging scroll. 53.5 x 11.75 inches (136 × 30 cm). Asia Week New York | China 2000 Fine Art
The Chinese Porcelain Company, « Chinese Contemporary Ink Painting« . cplumhoff@chineseporcelainco.com – steo@chineseporcelainco.com – www.chineseporcelainco.com
Tai Xiangzhou. Paradise Mountain. China, 2012. Ink on silk. 23.9 x 126.25 inches (60.6 x 320.7 cm). Asia Week New York | The Chinese Porcelain Company
A Yueyao Glazed Funerary Jar. Western Jin Dynasty, 265 – 316 AD. Height: 17 1/2 inches (44.45 cm); Diameter: 9 3/4 inches (24.77 cm). Asia Week New York | The Chinese Porcelain Company
Gisèle Croës (Belgium), « Matter and Memory« . art@giselecroes.com
Bodhisattva Head. China, Northern Qi Dynasty (550-577). Limestone. Height: 10.5 inches (29 cm). Asia Week New York | Gisèle Croës s.a.
Archaic bronze vessel, Gu. China, Shang Dynasty (1600-1050 BC), Anyang Culture (1300-1050 BC), 12th century BC. Bronze with green, blue and brown patina; malachite and cuprite crystallisation; traces of textile. Height: 12.4 inches (31.5 cm). Asia Week New York | Gisèle Croës s.a.
Gold animal mask. China, Warring States period (481 – 221 BC). Width: 4.25 inches (11 cm). Asia Week New York | Gisèle Croës s.a.
Michael C. Hughes LLC, « Recent Acquisitions – Chinese Works of Art« . mhughesllc@earthlink.net
An Eastern Zhou Dynasty style vessel, gui. Probably Ming Dynasty. 5.3 inches across (13.5 cm). Asia Week New York | Michael C. Hughes LLC
A Nephrite jade snuff bottle. Master of the Rocks school, 1760-1850. Height without stopper: 2.7 inches (7 cm). Asia Week New York | Michael C. Hughes LLC
Jadestone, « Diminutive and Dynamic: Miniature Chinese Snuff Bottles and Works of Art« . info@jadestonegallery.com – www.jadestonegallery.com
Famille Rose Snuff Bottle. China, Qianlong Mark and Period. Enameled porcelain. Height: 1.4 inches (3.6 cm). Asia Week New York | Jadestone
Miniature Famille Rose Incense Burner. China, Qianlong-Jiaqing Period. Enameled porcelain. 2 x 2 inches (5.2 x 5.2 cm). Asia Week New York | Jadestone
Openwork-Carved Jade Toggle with Russet Skin. China, Qing Dynasty. 1.7 x 1.4 x 0.8 inches (4.5 x 3.6 x 2 cm). Asia Week New York | Jadestone
Kaikodo LLC, « The Immortal Past« . asianart@kaikodo.com – www.kaikodo.com
Gilt-Lacquered Wood Figure of a Seated Boy. China, Song-Yuan Dynasty, 13th-14th century. Height: 15 inches (38 cm). Asia Week New York | Kaikodo LLC
Gilt-Silver Wine-Drinking Game Set. “The Analects Jade Candle” with inscribed “drinking strips.” China, Tang Dynasty, 8th century. Height: 10 inches (25.4 cm). Asia Week New York | Kaikodo LLC
Dai Mingyue (1625-1670). Bamboo and Rock. Hanging scroll, ink on satin. 31.5 x 18.5 inches (80 x 47 cm). Asia Week New York | Kaikodo LLC
J.J. Lally & Co., « Chinese Archaic Bronzes: The Collection of Daniel Shapiro and Ancient Chinese Sculpture: Recent Acquisitions ». staff@jjlally.com – www.jjlally.com
Bronze Ritual Vessel (Gong). China, Shang Dynasty, circa 1200 B.C. Height: 10 5/8 inches (27 cm); Length: 11 3/4 inches (30.1 cm). Asia Week New York | J. J. Lally & Co.
Bronze Ritual Vessel (Fangding). China, Early Western Zhou Dynasty, 11th century B.C. Height: 10 3/4 inches (27.3 cm). Asia Week New York | J. J. Lally & Co.
Gilt Bronze Figure of the Bodhisattva Guanyin. China, Tang Dynasty, 8th century. Height: 10 inches (25.5 cm). Asia Week New York | J. J. Lally & Co.
M. Sutherland Fine Arts, Ltd., « Chinese Contemporary Painting: New Works by Hai Tao« . info@msutherland.com – www.msutherland.com
Hai Tao. Landscape Number 1. China, 2012. Ink on paper. Asia Week New York | M. Sutherland Fine Arts, Ltd.
Hai Tao. Melodious Apparition. Nanjing, China, 2010. Ink on rice paper. 12.75 x 10.1 inches (32.4 x 25.7 cm). Asia Week New York | M. Sutherland Fine Arts, Ltd.
Hai Tao. Rising Tide. Nanjing, China, 2010. Ink on rice paper. 12.75 x 10.25 inches (32.4 x 26 cm). Asia Week New York | M. Sutherland Fine Arts, Ltd.
Nicholas Grindley Works of Art Ltd, « Chinese Furniture and Scholars’ Objects« . nick@nicholasgrindley.com – rebecca@nicholasgrindley.com – www.nicholasgrindley.com
Huanghuali yoke back armchair with a backward sloping yoke. China, Late Ming dynasty, 16th century. Huanghuali wood. Height 42.5 x Width 23.5 x Depth 24 inches (107.9 x 59.7 x 61 cm). Asia Week New York | Nicholas Grindley Works of Art Ltd
Huanghuali inset leg bridle joint table. China, Late Ming, early Qing dynasty, 17th century. Huanghuali wood. Height 31.75 x Width 95.25 x Depth 21.25 inches (80.6 x 242 x 54 cm). Asia Week New York | Nicholas Grindley Works of Art Ltd
Duan inkstone contained within a nanmu box. China, Qing dynasty, 17th/18th century. Length 3.5 x Width 3 x Depth .5 inches(8.9 x 7.6 x 1.3 cm). Asia Week New York | Nicholas Grindley Works of Art Ltd
Zetterquist Galleries, « Early Chinese Ceramics: Monochromes« . inquiries@zetterquist.com – www.zetterquist.com
Large and Important Carved Mei-ping. China, Northern Song Dynasty (960–1127 A.D.). Porcelaineous Stoneware. Height: 15.3 inches (39cm). Asia Week New York | Zetterquist Galleries
Large Yaozhou Game Box. China, Northern Song Dynasty (960–1127 A.D.). Ceramic. Diameter: 4.9 inches (12.5cm). Asia Week New York | Zetterquist Galleries
Large Longquan Celadon Twin Fish Bowl. China, Southern Song–Yuan Dynasty (13th–14th century A.D.). Ceramic. Diameter: 7.9 inches (20cm). Asia Week New York | Zetterquist Galleries
Ancient and/or Contemporary Japanese Art
Carole Davenport (United States), « BCE TO NOW – Masterworks from Japan and China« . carole@caroledavenport.com – www.caroledavenport.com
Kasuga Deer Mandala. Japan, Muromachi Period, circa 1500. Silk. 35 x 14.5 inches (89 x 36.8 cm). Asia Week New York | Carole Davenport
Hiroyuki Asano. Sunset Mt. Fuji. Japan, 2013. Black impala granite from South Africa. Height: 14.6 inches (37 cm). Asia Week New York | Carole Davenport
Okimono of a kirin. 18th century. Porcelain with celadon glaze, Nabeshima kiln. 11.5 inches high. Asia Week New York | Carole Davenport
Dai Ichi Arts, Ltd. (United States), « Jewels for Homes« . info@daiichiarts.com – www.daiichiarts.com
Miyanaga Tozan III. On the Way. Japan, circa 2004. Cobalt glazed porcelain. 20 x 17.3 x 7.4 inches (50.8 x 43.9 x 18.8 cm). Asia Week New York | Dai Ichi Arts, Ltd.
Kaneshige Kosuke. Saint’s Garment No.5. Japan, 2004. Wood-fired bizen stoneware. 16 x 19 x 13 inches (40.6 x 48.3 x 33 cm). Asia Week New York | Dai Ichi Arts, Ltd.
Otto Akob. Gold Coral and Pearl Earrings: Shells. Germany, 1986. 18kt gold, orient pearls, coral enamel. 1.25 x 0.8 inches (3.1 x 2 cm). Asia Week New York | Dai Ichi Arts, Ltd.
Joan B. Mirviss, Ltd. (United States), « Japan in Black and White: Ink and Clay« . info@mirviss.com – www.mirviss.com
Yashima Gakutei. Surimono woodblock print. Japan, 1830. 8 x 7 inches (20.3 x 17.8 cm). Asia Week New York | Joan B. Mirviss, Ltd
Yagi Kazuo. Asymmetrical sculpted vessel. Japan, circa 1970. Glazed stoneware. 8.75 x 8.25 x 7.88 inches (22.2 x 21 x 20 cm). Asia Week New York | Joan B. Mirviss, Ltd
Maruyama Ôkyo. Moon Over Waves. Japan, 1777. Ink on silk. 39.25 x 12.6 inches (99.7 x 32.1 cm). Asia Week New York | Joan B. Mirviss, Ltd
Onishi Gallery (United States), « Heritage: Contemporary Japanese Ceramics and Other Interior Objects« . nana@onishigallery.com – www.onishigallery.com
Tokuda Yasokichi III. Plate Kamon (Floral). Japan, 2000. Porcelain with vivid colored glaze (yôsai). 3.9 x 21.9 inches (10 x 55.5 cm). Asia Week New York | Onishi Gallery
Tokuda Yasokichi III. Plate Shin-en (Calm). Japan, 1992. Porcelain with vivid colored glaze (yôsai). 3.3 x 21.5 inches (8.5 x 54.5 cm). Asia Week New York | Onishi Gallery
Maeda Hideo. Flower vessel with geometric pattern. Japan, 2013. Stoneware with inlay. 16.7 x 12.4 inches (42.5 x 31.5 cm). Asia Week New York | Onishi Gallery
Scholten Japanese Art (United States), « Erotic Art of Japan: Everybody’s Doing It« . info@scholten-japanese-art.com – www.scholten-japanese-art.com
Suzuki Harunobu (circa 1725-70). Teahouse waitress and a lover in an intimate embrace. Japan, circa 1768. Woodblock print. 8 1/8 x 11 1/8 inches (20.5 by 28.2 cm). Asia Week New York | Scholten Japanese Art
Suzuki Harunobu (ca. 1724-70). A beauty watching a couple drinking sake, from the The Spell of Amorous Love (Enshoku koi no urakata). Japan, circa 1766-70. Woodblock printed chuban orihon (folded illustrated book). 7.5 x 5.125 inches (19.2 x 13 cm). Asia Week New York | Scholten Japanese Art
Kikugawa Eizan (1787-1867). Young Lovers at the New Year, from the series Selections from the Brocade Quarters (E-awase Kinkaisho). Japan, circa 1815. Woodblock print. 10.125 x 14.625 inches (25.7 x 37.2 cm). Asia Week New York | Scholten Japanese Art
Erik Thomsen (United States), « Japanese Paintings and Works of Art« . info@erikthomsen.com – www.erikthomsen.com
Suzuki Shônen (1849-1918). Pines (detail). Japan, Meiji era (1868-1912), circa 1910. Ink on gold leaf. 67.5 x 147.5 inches (171.5 x 374.5 cm) each. Asia Week New York | Erik Thomsen
Katsudô Eiryrû (act. 1790s). Ensô Bijin. Japan, Edo Period (1615-1868), 1790s. Ink and mineral colors on silk. 55 x 22.5 inches (139.3 x 56.8). Asia Week New York | Erik Thomsen
Rinpa School. Flowers of the Season by Meandering Stream. Japan, Meiji era (1868-1912). Ink, mineral colors, gofun and gold on paper with gold leaf. 66.25 x 74 inches (169.5 x 188 cm). Asia Week New York | Erik Thomsen
Hiroshi Yanagi Oriental Art (Japan), « Japanese Art Highlights« . h-yanagi@art.plala.or.jp – www.h-yanagi.com
Standing Amida Nyorai. Japan, Kamakura Period, 13th century. Cypress wood. Height: 9 inches (23 cm). Asia Week New York | Hiroshi Yanagi Oriental Art
Maruyama Okyo. Turtles. Japan, Edo Period, 1785. Hanging scroll, ink and color on silk. 35.4 x 15.75 inches (90 x 40 cm). Asia Week New York | Hiroshi Yanagi Oriental Art
Miyagawa Choshun. Nikuhitsu Ukiyo-e: Figures. Japan, Edo Period, 18th century. Six-fold screen, ink and color on silk. Each painting 30.9 x 13.2 inches (78.4 x 33.6 cm). Asia Week New York | Hiroshi Yanagi Oriental Art
BachmannEckenstein (Switzerland). « Japanese Art | Pre-Modern and Beyond« . email@bachmanneckenstein.com – www.bachmanneckenstein.com
Otagaki Rengetsu (1791-1875). Dish. Japan, 19th century. Glazed ceramic. 6.2 x 4 inches (15.7 x 10 cm). Asia Week New York | BachmannEckenstein JapaneseArt
Ikeno Taiga (1723-1776). Landscape – Hanging Scroll. Japan, Edo Period, 18th century. Ink and color on paper. 49 x 10.9 inches (124.5 x 27.6 cm); Scroll: 80.3 x 16.5 inches (204 x 42 cm). Asia Week New York | BachmannEckenstein JapaneseArt
Hine Taizan (1813-1869). Landscape – Hanging Scroll. Japan, Meiji Period, dated 1868. Ink on paper. 44.5 x 12.3 inches (113.1 x 31.2 cm); Scroll: 76.8 x 17.1 inches (195 x 43.5 cm). Asia Week New York | BachmannEckenstein JapaneseArt
Giuseppe Piva Japanese Art (Italy). « Yūgen: The Subtle Profundity of Japanese Art« . info@giuseppepiva.com – www.giuseppepiva.com
Otagaki Rengetsu (1791-1875). Hare. Signed Rengetsu. Ceramic okimono with calligraphic inscription. Height: 7.9 inches (20 cm). Asia Week New York | Giuseppe Piva Japanese Art
A small hokai box with Kodai-ji Maki-e Design with Autumn Plants. Japan, Momoyama Period, late 16th century. 7.7 x 8.3 x 8.3 inches (19.5 x 21 x 21 cm). Asia Week New York | Giuseppe Piva Japanese Art
Kei School. Nikko Bosatsu. Japan, Nanbokucho Period (1336-1392). Wood sculpture with colored pigments and gold-leaf decoration. Height: 19.7 inches (50 cm). Asia Week New York | Giuseppe Piva Japanese Art
Ancient and contemporary Korean
Kang Collection Korean Art and Koo New York, both from the United States, round out the contributors presenting the extraordinary array of Asian art treasures on view.
Kang Collection Korean Art (United States). « Ik-Joong Kang: Bamboo/Wind« . info@kangcollection.com – www.kangcollection.com
Ik-Joong Kang. White Moon Jar. Korea, 2011. Mixed media on wood. 37.75 x 37.75 inches (96 x 96 cm). Asia Week New York | Kang Collection Korean Art
Ik-Joong Kang. Samramansang Moon Jar. Korea, 2010-2013. Mixed Media on Wood. 47 x 47 inches (119.4 x 119.4 cm). Asia Week New York | Kang Collection Korean Art
Ik-Joong Kang. Blue Chrysanthemum Moon Jar. Korea, 2011. Mixed Media on Wood. 47 x 47 inches (119.4 x 119.4 cm). Asia Week New York | Kang Collection Korean Art
Koo New York (United States). « Korean Traditions: Arts of the Interior« . info@koonewyork.com – www.koonewyork.com
Anonymous. Cranes Gathering in Daoist Western Paradise. Korea, Annexation Period (1910-45). Eight-Panel Screen; colors on silk, mounted on brocade. Overall: 74.5 x 127.25 inches (153 x 323.4 cm). Asia Week New York | KooNewYork
To celebrate the 2015 edition of Asia Week New York, which offers a non-stop schedule of gallery open houses, auctions, exhibitions, lectures, symposia and special events, a private, invitation-only reception will once again take place at The Metropolitan Museum of Art on March 16.
A comprehensive guide with maps will be available at participating galleries, auction houses and cultural institutions, starting February 2015 and online at asiaweekny.com. Emphasizing the strength of interest from Chinese-speaking buyers, a Chinese version of the website is available at cn.asiaweekny.com.
14 vendredi Nov 2014
Posted in Chinese Porcelains
An incised white-glazed ‘lotus’ bowl, Kangxi six-character mark and of the period. Estimate HK$ 100,000 – 150,000 (€10,000 – 16,000). Photo Bonhams.
Of deep rounded sides rising from a gently flared circular foot, incised on the exterior continuously with a flower scroll bearing four lotus blossoms at the compass points, all borne above a band of overlapping leaf lappets, all under an even and cool bluish-white glaze, the pointed convex base with a six-character kaishu mark within double circles. 15.3cm (6in) diam.
Provenance: Christie’s New York, 22-23 March 2012, lot 2100
BONHAMS. FINE CHINESE CERAMICS AND WORKS OF ART, 27 Nov 2014 14:30 HKT – HONG KONG, ADMIRALTY
11 mardi Nov 2014
Posted in Chinese Ceramics
Étiquettes
'Lotus' bowl, Northern Song dynasty, Yaozhou' celadon-glazed
A carved ‘Yaozhou’ celadon-glazed ‘Lotus’ bowl, Northern Song Dynasty. Estimate 50,000 — 70,000 HKD. Photo Sotheby’s.
finely potted with deep rounded sides rising from a straight foot, carved around the exterior with four rows of overlapping petals resembling a lotus flower, the interior carved with a plain medallion in recess in the centre, applied overall with a beautiful sea-green glaze draining to white along the petal’s edges and stopping neatly around the unglazed foot, the latter applied with a transparent glaze, the neatly cut footrim left unglazed revealing a smooth light grey ware; 14.3 cm., 5 5/8 in.
Notes: The pale green glaze as found on the present bowl is extremely rare among ‘Yaozhou’ wares and identifies it as an early example, as this glaze colour disappeared when the kiln switched from using wood as fuel to firing with coal. Compare a pair of ‘Yaozhou’ flower-shaped bowls with a related glaze, sold in our London rooms, 11th May 2011, lot 1.
Sotheby’s, Chinese Art, Hong Kong | 24 Nov 2014, 02:30 PM
09 dimanche Nov 2014
Posted in Chinese Ceramics
Étiquettes
A finely carved ‘Ding’ ‘Lotus’ bowl, Northern Song – Jin Dynasty. Estimate 250,000 — 350,000 HKD. Photo Sotheby’s
of circular form with hexalobed rim, the interior deftly carved in delicately incised lines with a lotus scroll, supported on a neatly cut short circular foot, applied overall with an ivory-tinged glaze with characteristic teardrops, the rim left unglazed in the firing – 21.7 cm., 8 3/8 in.
Sotheby’s. Chinese Art. Hong Kong | 24 nov. 2014, 02:30 PM
26 dimanche Oct 2014
Posted in Chinese Ceramics
A ‘Longquan’ celadon ‘Lotus’ bowl, Southern Song dynasty. Estimate 10,000 — 15,000 GBP. Photo: Sotheby’s
the deep rounded sides rising from a short tapering foot , carved around the exterior with overlapping lotus leaves and covered ovarall with a soft even bluish-green glaze; 17.4cm., 6 7/8 in.
PROVENANCE:Collection of Francisco Capelo.
LITTERATURE: Francisco Capelo et. al., Forms of Pleasure. Chinese Ceramics from Burial to Daily Life, London, 2009, pl. 64.
Notes: A slightly larger bowl of this type is illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. one, London, 1994, pl. 539, where the author notes that lotus bowls were made during the Song and Yuan dynasties, however, the early examples such as the present bowl, are more carefully potted, carved, glazed and fired (see p. 290). The carving of the lotus petal is especially deep and crisp with later examples treating the design as a simple raised rib as if adding a quick finishing touch to the exterior.
Compare another related bowl of slightly smaller dimensions sold in these rooms, 9th June 2004, lot 178; one from the collection of George Debatz and exhibited at the Boston Museum of Fine Arts, sold at Christie’s New York, 30th November 1983, lot 337; and a third example from the Eugene Bernat collection, sold in our New York rooms, 7th November 1980, lot 145. See also a smaller bowl published in Celadon from Longquan Kilns, Taipei, 1998, pl. 133; and one included in Longquan qingci, Beijing, 1966, pl. 28.
Sotheby’s. Fine Chinese Ceramics and Works of Art, Londres | 05 nov. 2014, 10:00 AM
09 jeudi Oct 2014
Posted in Chinese Porcelains
Étiquettes
A doucai ‘Lotus’ bowl, Mark and Period of Daoguang (1821-1850), 12.5 cm. Estimate: HKD 100,000-200,000. Price Realized: HKD 195,500. ©2014 China Guardian Auctions Co.,Ltd.
China Guardian Hong Kong 2014 Autumn Auctions.
08 mercredi Oct 2014
Posted in Chinese Porcelains
Étiquettes
'Lotus' bowl, Blue-and-White, Yongzheng six-character mark within a double circle and of the period
A blue and white ‘Lotus’ bowl, Yongzheng six-character mark within a double circle and of the period (1723-1735). Estimate HK$80,000 – HK$150,000 ($10,366 – $19,436). Price Realized HK$475,000 ($61,551). Photo Christie’s Image Ltd 2014
Finely potted with rounded sides, the bowl is painted around the exterior with scrolling stylised foliage borne on lotus blooms above a border of lappets. The interior is decorated with a matching central medallion. 4 3/4in. (12 cm.) diam., box
THE PROPERTY OF A HONG KONG COLLECTOR
Christie’s. THE PAVILION SALE – CHINESE CERAMICS AND WORKS OF ART, 7 October 2014, 22nd Floor
08 mercredi Oct 2014
Posted in Chinese Porcelains
Étiquettes
'Lotus' bowl, Blue-and-White, Xuande six-character mark in underglaze blue within a double circle and of the period
A blue and white ‘lotus’ bowl, lianzi wan, Xuande six-character mark in underglaze blue within a double circle and of the period (1426-1435). Estimate HK$300,000 – HK$500,000 ($38,871 – $64,786). Price Realized HK$600,000 ($77,748). Photo Christie’s Image Ltd 2014
The interior of the bowl is painted in deep ink-blue with a stylised four-petalled flower head below a band of florets and crosses, and is encircled by a band of pendent trefoils, all below a cash diaper band at the rim. The exterior is decorated with a band of upright lotus petals between keyfret bands around the mouth and foot rims. 6 3/8 in. (16.1 cm.) diam.
Christie’s. THE PAVILION SALE – CHINESE CERAMICS AND WORKS OF ART, 7 October 2014, 22nd Floor
20 mercredi Août 2014
Posted in Chinese Ceramics
Étiquettes
A carved ‘Ding’ ‘Lotus’ bowl, Northern Song Dynasty. Photo Sotheby’s
the gently curved lobes rising to a slightly indented and everted rim, the interior finely and freely carved and combed with a medallion of a leafy lotus spray, the sides cleanly divided by six narrow fillets of slip each enclosing a single spray of flowering lotus, covered overall with a clear ivory glaze pooling in characteristic tear-drops down the exterior, all raised on a narrow tapered foot, the rim metal mounted, Japanese wood box. Diameter 8 3/8 in., 21.5 cm. Estimation 400,000 — 500,000 USD
The present bowl represents the superb stylistic achievements of the Ding potters and is notable for the naturalistic depiction of the lotus sprays, with the leaves curled and turned in different directions. This style of rendering is only found on a small number of other fine Ding pieces, such as a slightly larger bowl of this form and design, in the National Palace Museum, Taipei, included in the Museum’s exhibition Decorated Porcelains of Dingzhou. White Ding Wares from the Collection of the National Palace Museum, Taipei, 2014, cat. no. II-39, together with another carved with flower and fruit sprays, cat. no. II-40; and a fragment of a similar Song bowl, that forms part of the National Palace’s vast shard collection including Ding shards recovered from the kiln sites at Jiancicun and Yangchuancun in Quyang County, Hebei, published in Gugong Bowuguan can Zhongguo gudai yaozhi biaoben. Hebei juan [Specimens from China’s ancient kilns preserved in the Palace Museum: Hebei, vol. 2], Beijing, 2006, pl. 169 (top).
Ding wares are ranked amongst the ‘Five Famous Wares of the Song Dynasty’, a term coined by collectors of the Ming and Qing dynasties. Celebrated for their thin potting, fine white body, which does not require a slip to appear white after firing, and an ivory-colored glaze which tends to run down in somewhat darker ‘tears’, Ding wares became renowned for their elegant forms that often derived from contemporaneous silver and lacquer vessels to find favor with the court and wealthy monasteries during the Song and Jin periods.
Another characteristic of Ding ware is the use of metal to bind the rim. The contrasting color of the distinctive bronze, copper, and sometimes precious metal, rims enhanced the aesthetic beauty of the wares while setting the Ding ware apart from the ordinary. Ts’ai Mei-fen of the National Palace Museum, Taipei, suggests that the metal-banded rim was the popular taste of the time, possibly instituted because of the popular practices of decorating edges. See Ts’ai Mei-fen, ‘A Discussion of Ting Ware with Unglazed Rims and related Twentieth-Century Official Porcelain’, Arts of the Sung and Yuan, Metropolitan Museum of Art, New York, 1996, pp. 109-31.
Compare a bowl of this type similarly carved with peony sprays included in the exhibition White Porcelain of Ding Yao, Nezu Institute of Fine Arts, Tokyo, 1983, cat. no. 132; and another decorated with floral blooms, published in The Complete Collection of Treasures of the Palace Museum – Porcelain of the Song Dynasty (I), Hong Kong, 1996, pl. 45, together with a bowl depicting ducks and lotuses in alternating panels around the sides, pl. 61. A further duck and lotus-carved bowl, from the Carl Kempe collection, illustrated in Oriental Ceramics. The World’s Great Collections, vol. 8, Tokyo, 1982, pl. 108, was sold in our London rooms, 14th May 2008, lot 258.
Sotheby’s. Chinese Art through the Eye of Sakamoto Gor: Song Ceramics, New York | 16 sept. 2014, 10:00 AM
