Étiquettes
"Log-Rolling", "Suprematist Cross Architecton", 1914, 1928-1929, Alexander Bogomazov, Butterwick Gallery, charcoal on paper, costume design, Dance of the Buffoons, Gouache, Ilya Chasnik, Kiev, Kreshchatik, Le Soleil de Nuit, Leonid Massine, Liubov Popova, Locomotive, Mikhail Larionov, Natalia Goncharova, Pencil on paper, Sanguine on paper, TEFAF 2015 Paper, The Bridge, watercolor and pencil on paper, watercolour on artist's board, watercolour on paper
Alexander Bogomazov, « Log-Rolling », original work for left hand panel of the 1928-29 triptych, « The Work of Sawyers », watercolour on paper, 25 x 30 cm, 1928-1929. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
Provenance: – Artist’s Family, Kiev
– V. Vitruk, Lvov
Literature: – O. Sidor, ‘The collection of Vladimir Vitruk’, 2008, Lvov, (p. 117)
– E. Koshuba, ‘The Rhythm of creative Will’ 2914, Decorative Arts, Kiev
Exhibitions: – Alexander Bogomazov: Master of Cubo-Futurism – Central House of Artists, Moscow, March 2014 (ill. p. 27)
Liubov Popova, « Untitled« . Gouache, watercolor and pencil on paper, 33.7 x 25.1 cm, 1917. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
Provenance: – Pavel Popov, Moscow (Artist’s brother) – M. Goldberg, Zvenigorod (Stepson of the above) – George Costakis, Moscow (later Athens), acquired c. 1955 – Private European COllection – Leonard Hutton Galleries, New York, acquired 2000 – Private European Collection
Literature: Zander Rudenstine, A (ed.): Russian Avant-Garde Art – The George Costakis Colletion. Harry N. Abrams, New York, 1981
Exhibitions: – Künstlerinnen der Russischen Avant-Garde – Galerie Gmurzynska, Cologne. 1979-1980 (cat. n. 66, ill. p. 196) – Gouaches and Drawings by Liubov Popova and Kazimir Malevich – Leonard Hutton Galleries, New York 1986 (cat. n. 8, cover ill.) – Karo Dame – Konstruktive Konkrete und Radikale Kunst von Frauen von 1914 bis Heure – Aargauer Kunsthaus, Aarau 1995 (ill. p. 62, col.) – Malevich and his Influence – Kunstmuseum Lichtenstein, Vaduz 17 May-7 September 2008 (cat. ill. p. 169) – The Russian Revolution in Art. Russian Avant-Garde 1910-1932 – St Petersburg Gallery, London 3 April – 20 September 2014
Ilya Chasnik, « Suprematist Cross Architecton« . Pencil on paper, 22 x 17.5 cm, 1926. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
Provenance: – Ilya Illich Chasnik (Artst’s Son), Leningrad
– Lev Nussberg, Orange County, Connecticut
– Leonard Hutton Galleries, New York
– Private Collection, London
Literature: – M. Lamac: « Malevich – Le Méconnu in Cimaise – Art et Architecture Actuels », 1928
– L. Shadowa: « Suche und Experiment », Dresden&London, 1978/1982
Exhibitions: – Russische Avantgarde 1910-1930 – Bilder Konstruktionen – Galerie Bargera, Cologne. 31 May-30 Septebler 1978 (p. 78, ill. No. 109) – Ilya Chashnik – Leonard Hutton Galleries, New York. 2 November 1979-15 March 1980 (ill. No 71) – Malevich, Suetin, Chashnik – Leonard Hutton Galleries, New York. 21 October-15 December 1983 (ill. No 48) – Die Grosse Utopie – Die Russische Avantgarde 1915 – 1932 – Schirn Kunsthalle, Frankfurt 1 March-10 May 1992 (ill. p. 184) – Die Grosse Utopie – Die Russische Avantgarde 1915 – 1932 – Stedelijk Museum, Amsterdam. 5 June-23 August 1992 (ill. p. 184) – The Great Utopia – The Russian and Soviet Avant-Garde 1915-1932 – Guggenheim Museum, New York. 10 October 1992- 3 January 1993 (ill. p. 172) – Kasimir Malewitsch, Werk und Wirkung – Museum Ludwig, Cologne 10 November 1995 – 28 January 1996 (ill. p. 167) – Ilya Chashnik Suprematist works 1921-1926 – Central House of Artists, Moscow. March 2012 – The Russian Revolution in Art. Russian Avant-Garde 1910-1932. St Petersburg Gallery, London. 3 April – 20 September 2014
Natalia Goncharova, The Bridge. Oil on canvas, 64.8 x 50.2 cm, 1916. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
certificate from Madame Alexandra Larionov-Tomilina
certificate from Madame Alexandra Larionov-Tomilina
Provenance: – The Artist
– Mikhail Larionov (upon the artist’s death)
– Galerie Gmurzynska, Cologne (until 1987)
– Modernism Gallery, San Francisco (until 1996)
– S. Rothschild Collection, Baltimore
– Private Collection, London
Exhibitions: – International Exhibition of Modern Art, Geneva 1920/21 (No. 26) – The Goncharova – Larionov Exhibition – Kingore Galleries, New York. 1922 (No. 15) – Larionov – Gontcharova – Galerie Beyeler, Basel. June – September 1961 (No. 40) -Natalia Gontcharova – Musée des Beaux-Arts, Lyon. 21 December 1969 – 8 February 1970 (No. 37) – Rétrospective Gontcharova – Maison de la Culture, Bourges. 14 April – 3 June 1973 (No. 42) – Rétrospective Larionov – Gontcharova – Musée d’Ixelles, Brussels. 29 April – 5 May 1976 (No. 110) – Natalia Goncharova – Tretyakov Gallery, Moscow. 16 October 2013 – 16 February 2014 (No. 123)
Mikhail Larionov, Le Soleil de Nuit costume design for Dance of the Buffoons (choreography Leonid Massine), watercolour on artist’s board, 38 x 26cm, signed, 1915. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
Provenance: – The Artist, Paris – Private Collection, Arizona – Bonhams Russian Sale, London. 7 July 2010, Lot No. 59
Literature: – The Soul of Russia – Macmillan, London, 1916 (ill. p. 176) – Russian Works on Paper form the Collection of James Butterwick – Kik-Art, Moscow 2011 (ill. p. 10)
Exhibitions: – Œvres de Gontcharova et de Larionow – Galerie Sauvage, Paris. 16 April – 7 May 1918 (177-194) – Œeuvres de Gontcharova et de Larionow – Galerie Barbazanges, Paris. 11-28 June 1919 (237-247) – Artistes Russes (organized by Mir Isskustva) – Galerie La Boétie, Paris. 1921 (as Le Bouffon) – Artistes Russes (organized by Mir Isskustva) – unknown location, Paris. 1921 (as Le Bouffon) – The Gontcharova-Larionov Exhibition – Kingore Gallery, New York. 1922 (as Soleil de Minuit) 97-101 – Russian Line – Sotheby’s , Moscow. 12 March – 30 March 2012. (ill. p. 8) – Acquisitions and Loans – James Butterwick Gallery, London. 30 May – 7 July 2012
Alexander Bogomazov, Kreshchatik, charcoal on paper, 30 x 32 cm, signed, Kiev, 1914. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
Provenance: – Artist family, Kiev
– Gift from Vanda Vitoldovna Bogomazova to Yuri Ivakin (1969)
– G. Ivakin, Kiev
– Private Collection, Moscow
Literature: Ukrainian Avant-Garde – Mistetstvo, Kiev 1996 (ill. p. 77)
Exhibitions: Alexander Bogomazov – Musée d’Art Moderne, Toulouse. 21 June – 28 August 1991 Alexander Bogomazov – State Museum of Ukrainian Fine Art, Kiev. December 1991 – January 1992 Alexander Bogomazov: Master of Cubo-Futurism – Central House of Artists, Moscow. March 2014 (ill. p. 13)
Alexander Bogomazov (1880-1930), Locomotive. Sanguine on paper, 30 x 26 cm, 1915. Butterwick Gallery, London (stand 708) – TEFAF 2015 Paper (13-22 March 2015)
Provenance: The Artist’s widow, Kiev; Purchased from the above in the early 1970’s; Private collection, Paris
Literature: Exh. cat. Alexander Bogomazov, Toulouse, Musee d’Art Moderne, 1991, p. 34; Ukrainian Avant garde, Mistetsvo Publishers, Kiev, 1996, p. 99
Exhibitions: Toulouse, Musee d’Art Moderne, Alexander Bogomazov’, 1991
Butterwick Gallery, London. Directors: Natasha Butterwick, James Butterwick. Russian Art 1890-1930. Russian and European 19th and early 20th century works.
