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Alain.R.Truong

Alain.R.Truong

Archives de Tag: Early 15th century

Rare Himalayan masterpieces lead Asia Week at Bonhams

14 samedi Fév 2015

Posted by alaintruong2014 in Buddhist Works of Art, Himalayan & Southeast Asian Art

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14th Century, 15th century, Chakrasamvara, circa 1557, Early 15th century, gilt-copper alloy figure, Ngor monastery, portrait thangka of the Ninth and Tenth abbots of Ngor monastery, Shakyamuni, Southern Tibet, thangka, Tibet, Tibeto-Chinese, Vajrabhairava shrine, West Tibet, Yongle Period

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A lineage portrait thangka of the Ninth and Tenth abbots of Ngor monastery, Southern Tibet, Ngor monastery, circa 1557. Distemper on cloth/ Image: 33 3/4 x 30 3/4 in. (85.7 x 76.3 cm); With later silks: 51 x 32 1/2 in. (129.5 x 82.6 cm). Estimate: $800,000-1,200,000 (€700,000 – 1.1 million). Photo: Bonhams.

NEW YORK, NY.- Himalayan masterpieces from the 14th to 16th century will lead Bonhams’ Indian, Himalayan & Southeast Asian Art auction on March 16.

The star lot is a magnificent lineage portrait thangka of the Ninth and Tenth Abbots from Ngor monastery from a distinguished private European collection. New to the market, it is estimated at between $800,000 and $1,200,000. The thangka, made circa 1557, is an extremely rare example of 16th century painting from Central Tibet. The distemper-on-cloth work is boldly colored using a primary palette with heavy gold outlining and presents the central figures seated next to each other. The composition is framed by the abbots of the Ngor order and is inscribed at the bottom, commemorating the ascendancy of the Eleventh abbot. Unlike other portrait thangkas, this one has a deeper, secondary purpose; the positioning of the three deities directly above the two abbots suggest that it was made to help initiate the viewer into the esoteric teachings of the central deity, Rakta Yamari. Whereas most Ngor portraits were part of sets, this suggests that the Bonhams’ double portrait was a special commission.

2.

A gilt copper alloy figure of Chakrasamvara, Tibet, 15th century, 9 in. (22.8 cm) high. Estimate: $500,000 – 700,000 (€440,000 – 620,000). Photo: Bonhams.

An outstanding gilt copper alloy figure of the prominent composite deity, Chakrasamvara, expected to fetch between $500,000 and $700,000, comes from the same private European collection. The masterpiece depicts the eponymous twelve-armed male deity and the female deity, Vajravarahi, locked in a passionate embrace. He embodies compassion and she wisdom. The union of these two qualities presents the most important transcendental ideal expressed in Buddhist art, supreme enlightenment. The sculpture is expertly detailed and both figures are beautifully gilded and embellished with jewelry.

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A large thangka of Shakyamuni, West Tibet, 14th century; 82 1/2 x 41 in. (209.5 x 104.1 cm). Estimate: $300,000 – 500,000 (€260,000 – 440,000). Photo: Bonhams.

A large thangka of Shakyamuni, from Western Tibet and dated 14th century, is another important lot (est. $300,000 – 500,000). Measuring 82.5 by 41 inches, the thangka is one of the largest surviving Tibetan paintings from any period. Tibetan Buddhists regard Shakyamuni as the single greatest authority on the Buddhist teachings. This thangka depicts Buddha on a throne in the act of teaching and flanked by his two of his closest disciples, Shariputra and Maudgalyayana.

4.

A gilt copper alloy deity from a Vajrabhairava shrine, Tibeto-Chinese, Yongle period, early 15th century; 10 7/8 in. (27.5 cm) high; 13 3/4 in. (35.2cm) wide. Estimate: $250,000 – 350,000 (€220,000 – 310,000). Photo: Bonhams.

Another standout lot, a Yongle-period gilt copper alloy deity from a Vajrabhairava shrine, comes from a private English collection and is estimated at $250,000 – 350,000. It is an early 15th-century depiction of Surya (the Sun god) that belongs to a set of eight Hindu deities, which would have occupied the front edge of a throne for a monumental sculpture of Vajrabhairava. Out of this group of eight, five others have either sold at auction or are in museum collections, making this sculpture extremely desirable. The deity is large, depicted in a powerful and unique pose. He wears an expression of fierce attention. The rich gilding, exquisite modeling and jewelry arrangement are typical of renowned Buddhist sculpture of the Yongle-period.

Edward Wilkinson, Consultant at the Indian, Himalayan & South East Asian department at Bonhams said, “At the core of this auction are a group of extremely important masterpieces of Himalayan painting and sculpture that are fresh to the market. Supported by a diverse and rare group of works from across the South Asian region, the sale taps into a particularly buoyant market. Buddhist art in particular is enjoying broad international appeal and the market for this genre has risen dramatically over the past five years.”

The auction will begin at 4pm.

Blue-and-White Jardiniere, early 15th century, Ming dynasty (1368 – 1644)

11 dimanche Jan 2015

Posted by alaintruong2014 in Chinese Porcelains

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Blue-and-White, Early 15th century, jardinière, Jiangxi Province, Jingdezhen, Ming Dynasty

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Blue-and-White Jardiniere, early 15th century, Ming dynasty (1368 – 1644). Jingdezhen, Jiangxi province. Porcelain with cobalt under colorless glaze. Purchase. Accession Number: F1965.2. Freer Gallery of Art and Arthur M. Sackler Gallery © 2014 Smithsonian Institution

Blue-and-White porcelain bowl with lotus petals on exterior, early 15th century, Ming dynasty (1368 – 1644)

11 dimanche Jan 2015

Posted by alaintruong2014 in Chinese Porcelains

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Blue-and-White, Bowl with lotus petals, Early 15th century, Jiangxi Province, Jingdezhen, Ming Dynasty

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Blue-and-White porcelain bowl with lotus petals on exterior, early 15th century, Ming dynasty (1368 – 1644). Jingdezhen, Jiangxi province. Porcelain with cobalt under colorless glaze. Purchase. Accession Number: F1951.14a-b. Freer Gallery of Art and Arthur M. Sackler Gallery © 2014 Smithsonian Institution

Blue-and-White Dish, early 15th century, Ming dynasty (1368 – 1644)

11 dimanche Jan 2015

Posted by alaintruong2014 in Chinese Porcelains

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Blue-and-White, Early 15th century, Jiangxi Province, Jingdezhen, Ming Dynasty

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Blue-and-White Dish, early 15th century, Ming dynasty (1368 – 1644). Jingdezhen, Jiangxi province. Porcelain with cobalt under colorless glaze. Purchase. Accession Number: F1961.14. Freer Gallery of Art and Arthur M. Sackler Gallery © 2014 Smithsonian Institution

Blue-and-White Canteen, early 15th century, Ming dynasty (1368 – 1644)

10 samedi Jan 2015

Posted by alaintruong2014 in Chinese Porcelains

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Blue-and-White, Canteen, Early 15th century, Jiangxi Province, Jingdezhen, Ming Dynasty

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Blue-and-White Canteen, early 15th century, Ming dynasty (1368 – 1644). Jingdezhen, Jiangxi province. Porcelain with cobalt under colorless glaze. Purchase. Accession Number: F1958.2. Freer Gallery of Art and Arthur M. Sackler Gallery © 2014 Smithsonian Institution

Blue-and-White dish, early 15th century, Ming dynasty (1368 – 1644)

10 samedi Jan 2015

Posted by alaintruong2014 in Chinese Porcelains

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Blue-and-White, Early 15th century, Jiangxi Province, Jingdezhen, Ming Dynasty

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Blue-and-White dish, early 15th century, Ming dynasty (1368 – 1644). Jingdezhen, Jiangxi province. Porcelain with cobalt under colorless glaze. Purchase. Accession Number: F1953.77. Freer Gallery of Art and Arthur M. Sackler Gallery © 2014 Smithsonian Institution

Tankard, early 15th century, Ming Dynasty (1368 – 1644)

10 samedi Jan 2015

Posted by alaintruong2014 in Chinese Porcelains

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Blue-and-White, Early 15th century, Jiangxi Province, Jingdezhen, Ming Dynasty, tankard

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Tankard, early 15th century, Ming Dynasty (1368 – 1644). Jingdezhen, Jiangxi province. Porcelain with cobalt under colorless glaze. Purchase. Accession Number: F1951.15. Freer Gallery of Art and Arthur M. Sackler Gallery © 2014 Smithsonian Institution

A large Longquan celadon-glazed ‘lotus’ dish, Early 15th century

06 jeudi Nov 2014

Posted by alaintruong2014 in Chinese Ceramics

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'Longquan' celadon-glazed, 'lotus' dish, Early 15th century

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A large Longquan celadon-glazed ‘lotus’ dish, Early 15th century. Estimate £6,000 – 8,000 (€7,600 – 10,000). Unsold. Photo Bonhams.

The heavily potted dish on a short wide foot, incised in the well with a single lotus flower surrounded by verdant leaves, covered in an olive-green glaze. 39.5cm (15 1/2in) diam.

Provenance: a European private collection and thence by descent

Bonhams. FINE CHINESE ART, 6 Nov 2014 13:30 GMT – LONDON, NEW BOND STREET

A white-glazed stem bowl, Ming dynasty, early 15th century

11 jeudi Sep 2014

Posted by alaintruong2014 in Chinese Porcelains

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Early 15th century, he Edward T. Chow Collection, Ming Dynasty, stem bowl, white-glazed

A white-glazed stem bowl, Ming dynasty, early 15th century

A white-glazed stem bowl, Ming dynasty, early 15th century. Photo Christie’s Image Ltd 2014

The bowl has shallow rounded sides flaring to the everted rim, and is raised on a spreading stem foot. The interior and exterior are covered in a glaze of even white color. 5½ in. (13.7 cm.) diam. Lot 814. Estimate $50,000 – $70,000

Provenance: The Edward T. Chow Collection; Sotheby’s Hong Kong, 25 November 1980, lot 49.

PROPERTY FROM A PRIVATE COLLECTION

The present stem bowl has the beautifully balanced profile characteristic of the early 15th century, and is covered in the soft lustrous white glaze, which is called tianbai or ‘sweet white’ in Chinese. This glaze was developed in the Yongle reign and appears to have been a particular favorite of the emperor. More than ninety percent of the porcelains from this period, which were found at the site of the imperial kilns, were white wares. This reflects the aesthetic preference of the emperor, who demonstrated a special appreciation of plain white items, such as white jades. It is also a reflection of his adherence to Lamaist Buddhism. The anhua, or ‘secret decoration’ around the sides of this stem bowl depicts the Eight Buddhist Emblems.

The Yongle Emperor invited several important abbots from Tibetan monasteries to come to the Chinese capital at Nanjing, and received them with great ceremony. White porcelains of this type would have been made for use in the rituals performed during those visits, in particular those conducted by Halima in memory of the emperor’s deceased parents in 1407. Porcelains of this type were also sent by the emperor as gifts to the abbots of important Tibetan monasteries, where some of them have been preserved to the present day.

There are a number of published examples of anhua-decorated Yongle stem bowls, with and without marks. However, examples of undecorated stem bowls from the Yongle period appear to be much rarer. A slightly larger (15.2 cm. diam.) undecorated stem bowl with straight, flaring sides was sold at Christie’s Hong Kong, 27 October 2003, lot 607 and again on, 1 June 2011, lot 3822. Other undecorated tianbai or ‘sweet white’ wares are noted by Geng Baochang, Ming Qing Ciqi Jianding, Forbidden City Press, 1993, p. 36, where it is cited that evidence from excavations at Jingdezhen indicate that stem bowls without decoration were produced. A similar stem bowl bearing an anhua Yongle mark is illustrated, Imperial Porcelains of the Yongle and Xuande Periods Excavated from the Site of the Ming Imperial Factory at Jingdezhen, Hong Kong, 1989, pp. 84-85.

Christie’s. FINE CHINESE CERAMICS AND WORKS OF ART, 18 – 19 September 2014, New York, Rockefeller Plaza

A Longquan celadon barbed-rim dish, Early 15th century

08 lundi Sep 2014

Posted by alaintruong2014 in Chinese Ceramics

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barbed-rim dish, Early 15th century, Longquan celadon

A Longquan celadon barbed-rim dish Early 15th century

A Longquan celadon barbed-rim dish, Early 15th century. Photo Bonhams.

The heavily potted dish with a fluted cavetto leading to a foliate rim, the exterior carved with radiating ribs, all covered in a thick bean-green glaze. 31.4cm (12 3/8in) diam. Estimate £800 – 1,200 (€1,000 – 1,500)

The Property of a Gentleman

Provenance: an English private collection 

Bonhams. ASIAN ART. 11 Sep 2014 10:30 BST. LONDON, KNIGHTSBRIDGE

 

Alain R. Truong

Alain R. Truong
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