Étiquettes

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Hans Holbein the Younger (England, born Germany, 1497/8-1543), Edward, Prince of Wales (later King Edward VI) , oil on panel, 22 3/4 x 17 inches. The Berger Collection at the Denver Art Museum.

PORTLAND, ME.- This fall, the Portland Museum of Art is showcasing a rich survey of British art spanning six centuries in the exhibition Treasures of British Art 1400-2000: The Berger Collection. Organized by the Denver Art Museum, the exhibition features 50 masterworks of British art by luminaries including Hans Holbein the Younger, Sir Anthony van Dyck, Thomas Gainsborough, Sir Thomas Lawrence, John Constable, Angelica Kauffman, and George Stubbs. The Berger Collection is one of the most impressive collections of British art in America and this exhibition provides audiences the rare opportunity to see such a significant body of paintings in this region. The PMA is the first venue in this traveling show, which is on view in Portland October 2, 2014 through January 4, 2015.

With its diverse array of subjects and styles spanning six centuries of artistic practice, Treasures of British Art traces key developments in British art and culture through a chronological presentation of works. The earliest picture, a gilded altarpiece with a Crucifixion scene from circa 1395, is also an extremely rare surviving example of late Medieval religious painting—the type of object that was systematically destroyed in England when King Henry VIII broke away from the Roman Catholic Church. Portraiture has long been an important genre in British art, and this tradition is well-represented in the exhibition from the linear, decorative style of 16th-century portraits of Tudor royals and nobility, to the loosely brushed naturalism ushered in by Sir Anthony van Dyck and found in 17th- and 18th-century portraiture, to the expressionistic 21st-century image of the artist David Hockney by Adam Birtwistle. Marine paintings and landscapes of faraway places—including a monumental naval battle painting by Adriaen van Diest and a luminous harbor scene by John Constable—reflect not only shifting aesthetic approaches to the natural world, but also the importance of maritime life and overseas exchange in the history of the British Isles. History paintings, equestrian subjects, and other important genres of the British school in styles ranging from the traditional to modern round out the expansive breadth of the exhibition.

The Berger Collection is a major private collection largely of British art, with a small but significant group of works by artists of other schools, including the French artist François Boucher and the American Winslow Homer. The late William M. B. Berger and his wife Bernadette Johnson Berger began amassing this collection in the mid-1990s out of their dual passion for British culture and for art’s potential to educate. Now owned by the Berger Collection Educational Trust and placed on long-term loan at the Denver Art Museum, the collection continues to expand through new acquisitions. The British paintings, drawings, and art objects number approximately 200 works and span more than six centuries—from the 14th to the 21st century. The very best paintings from this extraordinary collection have been selected for the traveling exhibition to fulfill the Berger family’s mission of sharing these masterpieces with a wide public audience.

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Unidentified Artist (, born 14th Century), Crucifixion, oil and tempera on panel, gilt, 39 7/8 x 21 1/2 inches. The Berger Collection at the Denver Art Museum

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Unidentified Artist (, born 16th Century), Henry VIII, oil on panel, 15 x 9 3/4 inches. The Berger Collection at the Denver Art Museum

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Hans Eworth (England, born Belgium, circa 1520-1579), Queen Elizabeth I, oil on panel, 20 1/4 x 16 1/2 inches. The Berger Collection at the Denver Art Museum

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Sir Anthony van Dyck (England, born Belgium, 1599-1641), Dorothy, Lady Dacre, oil on canvas, 50 x 40 inches. The Berger Collection at the Denver Art Museum

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Adriaen Van Diest (England, born Netherlands, circa 1656-1704), The Battle of Lowestoft, oil on canvas, 40 3/4 x 71 1/4 inches. The Berger Collection at the Denver Art Museum.

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Thomas Gainsborough (England, 1727-1788), A Coastal Landscape, oil on canvas, 25 1/8 x 30 1/8 inches. The Berger Collection at the Denver Art Museum

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Benjamin West (United States, 1738-1820), Queen Charlotte, oil on canvas, 50 x 40 1/4 inches. The Berger Collection at the Denver Art Museum.

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George Stubbs (England, 1724-1806), A Saddled Bay Hunter, oil on panel, 21 3/4 x 27 3/4 inches. The Berger Collection at the Denver Art Museum

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Angelica Kauffman (Switzerland, 1741-1807), Papirius Praetextatus Entreated by His Mother to Disclose the Secrets of the Deliberations of the Roman Senate, oil on canvas, 24 1/16 inches (diameter). The Berger Collection at the Denver Art Museum

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Sir Thomas Lawrence (England, 1769-1830), Self-Portrait, oil on canvas, 23 1/4 x 19 3/4 inches. The Berger Collection at the Denver Art Museum

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John Constable (England, 1776-1837), Yarmouth Pier, oil on canvas, 11 1/2 x 19 1/2 inches. The Berger Collection at the Denver Art Museum.

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David Roberts (Scotland, 1796-1864), St. Peter’s, Looking Back on Rome, oil on canvas, 12 1/4 x 30 inches. The Berger Collection at the Denver Art Museum

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John Singer Sargent (United States, born Italy, 1856-1925), Rosina Ferrara, Head of a Capri Girl, oil on board, 12 6/8 x 9 7/8 inches. The Berger Collection at the Denver Art Museum

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Sir Claude Francis Barry (England, 1883-1970), Victory Celebrations, oil on canvas, 63 x 69 inches. Reproduced by kind permission of Amyl Holdings SA, owners of the worldwide copyright to the works of Sir Claude Francis Barry, Bart. 1873-1970.

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Adam Birtwistle (England, born 1959), David Hockney, RA, tempera and gouache on paper, 47 1/4 x 43 1/4 inches. Copyright Adam Birtwistle c/o Robert Travers Works of Art Ltd, Piano Nobile, London